Kraków – September 2025

International Oral History Association Conference
16-19 September 2025

Re-Thinking Oral History

Beyond Words:
Crafting Oral Histories in Dance and the Arts

Visual Presentation by Ricardo Viviani
18th of September 2025 11:00

Knowledge that is not documented often faces the risk of being forgotten.
With the rise of Large Language Models (LLMs), knowledge that is primarily non-logocentric —knowledge that doesn’t rely on words or traditional text— risks falling behind in the rapidly evolving digital landscape.
In fields like the performing arts, particularly in theatrical dance (the focus ofmy oral history community), the processes of decision-making, contextualization, and articulating non-logocentric knowledge into oral histories require specific skills.
These skills can be shared and expanded, especially within communities like theatrical dance, which transcend national borders and foster deep, personal communication and skill exchange over decades.
In this presentation, I will share my approach to creating oral histories indance, which often reflect broader transnational social and politicaldevelopments from the 1940s to the present. My methodology aims toarticulate this knowledge and create transnational legacy maps that preserveand highlight the richness of non-logocentric knowledge.


IOHA Kraków 2025

why. what. how.

lectures

Just call us Dancers

Oral History in the performing arts

In the winter of 1980/81, I was awarded a scholarship to study at a dance studio located at 400 Lafayette Street in New York City. The name of this studio was Dancerschool. The studio was part of the life work of Dennis Wayne, a star dancer of the 1970s. His company was called “Dancers”, just the word “Dancers”. The simplicity of that name indicates that what they do should suffice. The art speaks for itself. 

Continue reading “why. what. how.”