![\"\"](\"https:\/\/www.ricardoviviani.com\/public\/productions\/serafim\/92serafimShort.jpg\" "\\"Serafim1992\\"")
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In the past years Brazil has seen immense changes in its social and anthropological organization. Changes that were fore- but un-seen by Vil\u00e9m Flusser.<\/p>\n
An acceleration and collision of Vil\u00e9m Flusser’s views with the current practice of Brazilian theater and dance is the object of this research.<\/p>\n
The project aims at catapulting Oswald de Andrade’s modernistic writings ‘Serafim Ponte Grande’ one hundred years later into the post-historic subset and clashing it some of Flusser’s concepts. Andrade discourses about a nomadic alter-ego – Serafim Ponte Grande in his excursions in the European early 20th century (1912).<\/p>\n
This work is materialized in a reworking of the dramaturgy of a Tanztheater piece with music by Villa-Lobos (K\u00f6ln 1992) for the group of the dance company from Pal\u00e1cio das Artes, Belo Horionte, MG Brazil, de-materializing it as video-HD recording in Brazil and re-assembling it during a residency at the Vil\u00e9m Flusser Archiv colliding with text and concepts of Brazil, nomadism, and kitsch by Flusser.<\/p>\n
The work would then put in the information networked-pool losing geography and temporality.<\/p>\n
\nManh\u00e3s de Minas – Oswald de Andrade<\/p>\n
O teu cabelo \u00e9 da cor das manh\u00e3s de Minas!O teu beijo \u00e9 quente como o sol do Rio de Janeiro,Quando teus l\u00e1bios reviram nos meus me envolvem do calor das \u00e1guas de minha terra,O teu corpo \u00e9 frio como o sepulcro do meu!Quando sais no foquestrotes a\u00ed por esses hot\u00e9is, na podrid\u00e3o das orquestras , sinto as tuas duas pontas espetarem o \u00a0meu cora\u00e7\u00e3o enquanto a minha lan\u00e7a se revolta contra a tua virgindade,Minha m\u00e3o em concha apanha a tua bundaQuente , viva, musculosa e buli\u00e7osa,Encosto a cabeca na tua, a\u00ed por esses foquestrotes, por esses Charlest\u00f5es,Encosto a l\u00edngua na tua, mole, babosa, salivosa.<\/p><\/blockquote>\n
\n… Um dies zu erfassen, ist es zwar einfach, aber zu billig, Etymologie zu Hilfe zu rufen. Es ist zwar rich\u00adtig, da\u00df der Sitzende be-sitzt, und der Fahrende er-f\u00e4hrt, oder da\u00df der Sitzende in der Gewohnheit wohnt und der Fahrende Gefahr l\u00e4uft. … Vil\u00e9m Flusser – Nomadische \u00dcberlegungen<\/p>\n<\/blockquote>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
2012 Collision of Oswald de Andrade and Vil\u00e9m Flusser in media-dance. Introduction In the past years Brazil has seen immense changes in its social and anthropological organization. Changes that were fore- but un-seen by Vil\u00e9m Flusser. An acceleration and collision of Vil\u00e9m Flusser’s views with the current practice of Brazilian theater and dance is the … <\/p>\n